Book #54

Circus of the Damned
by Laurell K. Hamilton


Continuing on with the Anita Blake series, I read the third one, Circus of the Damned. I didn't like this one quite as much as the last one, but I liked it more than the first. The bad guy in this one was good, though it centered a lot more on Anita and Jean-Claude and Anita's attempts to live a normal life, all of which are effectively ruined by her association with Jean-Claude, because she knows who the Master of the City is and where his daytime resting place is, so everybody who wants to kill him -- and it's more than a few -- wants to bribe, threaten, and torture the information out of her. It was an interesting depiction of what it's like to be a human drawn into the vampire's world. It also made Anita seem much less high-powered -- though she did have her badass moment at the end, oh yes she did.

I liked the million-year-old vampire enormously; I thought it was a fantastic idea and a wonderfully drawn character. I liked his motivation and the ways he intends to accomplish his goals, as well as his obvious personal power as seen through his control of such incredibly powerful minions. I didn't like the lamia, but I'm not supposed to, so that worked out well; it's an interesting way to handle the villain, to have a personable mastermind with loathsome henchbeings. On one level I wanted Oliver to win, mostly because I'm tired of Jean-Claude's assurance that he'll win and that Anita will surrender to him. Why? Because he's pretty, that's why. He's way too much of a prettyboy, utterly confident that his looks will enable him to get any woman, utterly convinced that once a woman gives in to her attraction to him, she will never resist him again. It's annoying. The conversation just keeps happening the same way:
"I'll never give in to you, Jean-Claude."
"But you want me."
"But I can't love you."
"But you liked kissing me."
"But I can't love you, and so there will never be anything more than a kiss."
"I'll wait, ma petite."

And on and on it goes. Now, this doesn't detract from the books, and it did make this one better for me because of the events that happen between Anita and Jean-Claude, how she turns on him and why, and the end result of her unexpected (to Jean-Claude; seems like it was always just a matter of time) betrayal of him, and I do agree with Anita's final choice of Jean-Claude as the least of the several evils facing her -- but I want her to slap him. A lot. Maybe muss up that pretty face a little bit. Although more scars would just give him character, like that damn cross scar gives to his chest.

So I'm seeing great potential in these books to go the distance: the main character is both powerful and, as this book establishes, very human and thus a bit outclassed by her immortal enemies -- though she uses all of the tools at her disposal to maximum effect, which works out quite well -- and the other main characters are complex and multi-dimensional. Because despite my irritation with Jean-Claude's prettyboy seduction techniques, he is actually much more than that, which is why I don't really hate him. But it isn't just him: Willie McCoy and her boss, Bert, and the other animators, including the new guy, all have their strengths and weaknesses. They are all very realistic, and thus very interesting. At the same time, of course, there is some serious booty-kicking going on in these books, and who doesn't like that?